Prompts

The Dancer Still

The following is by Writers in the Grove member, Lorelle VanFossen, and is based upon the Prompt-a-Month: Dance.

Texturized art effect of ballet dancer on pointe in arabesque.Toe pointed. Leg elongated. Feel the burn through the calf muscles as they push the reach even further. Thigh muscles combine to lift and stretch the leg beyond the normal range, a straight arrow pointed toward the floor away from the body, toe not touching, every line straight and arched in all the right places as if coaxing the toe longer a little more. Just a little more. Reach, strain, stretch, push, tighten, balance, yet relax. Don’t let them see the pain. Head tilted down at an angle, shoulders pulled back, arms thrust forward reaching but hesitating, palms up, thumbs wide, fingers closed, curled, begging. The other leg bent, knee aligned in the direction of the other, heel down, glued to the floor, a stable foundation. An illusion of stability. A brush of wind would knock her over. A forward step paused in mid motion. Make it look effortless. Make it look like it is a gentle yearning, a pleading with the body to take just one tiny step in that direction, ahead but holding back, cautious. It is a dangerous step. One that leads to another, and another, and another step forward into the unknown.

Elaina kept this position for as long as she could, keeping the tension in her body in a tug of war between relaxed and tight, straining with the effort. She didn’t hear the clock ticking in the hall, the purring of the cat wandering nearby, nor the roar of cars outside the door on the street. She heard pain, a sweet familiar pain, ringing through her body, buzzing in her ears, knocking against her heart begging her for release. She felt the warmth of a spotlight against her closed eyes, the moment frozen, ready to burst out onto the stage with the unheard embrace of the music’s thrust.

She ignored the fact that it was only the morning sun through the front window peaking through the pale blue curtains. Through the rushing noise of the passing cars, she heard the gasp of an audience at her entrance, one step, then frozen in this pose, waiting for the music to queue that next step, but held, anticipating the moment she would take that next move, ablaze in feathers, sequins, and chiffon, disguised as a worn-out house dress.

When her body could no longer hold the moment, the audience straining with her now, feeling the tension, breathing with her, on the edge of their seats, she took that step forward, placing her right foot on the carpeted floor, pushing herself forward over the toe, leaning down and up into the move, her body straightened, head up, arms lifted higher, her other leg straight out behind her at a point. She held this for thirty seconds, allowing the clanging to quiet in her head, the body now in a more stable, relaxed state.

Her cat wandered by and wound around her standing ankle. Elaina opened her eyes and looked down into those wide golden eyes framed with soft gray hair. The cat meowed, the open mouth turning into a yawn with a whining sound as she completed another rotation then headed off toward the kitchen where she knew food would soon appear. (more…)

Prompt: Love is a Temporary Madness

The prompt this week came from Louis de Bernières’ Corelli’s Mandolin:

Love is a temporary madness.
It erupts like an earthquake and then subsides.
And when it subsides you have to make a decision.
You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part.
Because this is what love is.
Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion.
That is just being “in love” which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two.

Prompt: Coming Over the Rise I Saw

The prompt this week was inspired by a trip taken by MJ Nordgren. She described covering over a rise in her car and seeing before her a wide sweep of brightly colored flowers, a field of bright red poppies alongside a field of vivid blue Bachelor’s Buttons. It was so lovely, she had to stop and reflect upon it. Thus our prompt this week is:

As I was coming over the rise I saw…

Saturday, June 25: Play at the Blue House

We will be doing our annual Writers in the Grove “Whatever happens at the Blue House stays at the Blue House” event on Saturday, June 25, 2016. Please arrive at the Blue House in Lincoln City, Oregon, between 9am and noon for a luncheon and afternoon of writing, games, or whatever happens. For directions, please contact MaryJane Nordgren or use our contact form.

Please bring potluck to share with 6-16 people.

This is a day of play on the Oregon Coast. If you decide to walk the beach or play in the sand, make sure you bring appropriate clothing, shoes, and sun lotion. It is supposed to be very warm.

That evening is the annual Harp Guitar in the Woods Concert with John Doan in Salem for those interested in making a full, full day of it. Tickets are available for the 8PM concert on his site and are $30. There is a potluck dinner at 6:30PM, a chance to meet some wonderful people and musicians and dine in their lovely garden on an ancient volcano overlooking the valley below. John’s concert of harp guitar music and storytelling is not to be missed.

Prompt: Same Place, Same Bad News, Different Characters

Write two scenarios. Make the two scenes different even though they are in the same place with the same bad news.

Scene One: Someone is giving and another one is receiving bad news.

Scene Two: Same as above, but use different people. You can switch or one or both of the characters must change. The same news in the same room, but different characters.