novel writing

Reflection on NaNoWriMo: Snowflake vs Backwards Script Writing

The following is by Writers in the Grove member, Colten Hendricks, on his recent NaNoWriMo month-long writing experience.

Beginning writers often flounder when presented with the time old advice of “just write.” What we end up writing are half-baked ideas, loose plot threads, and meandering messes all over our pages. We haven’t grasped the significance of our stories to even tell them yet so we “just write” only to end up with an unsatisfying book.

The solution is also deceptively simple: write an outline. Focus on writing the actual novel confident in what we are doing and where we are going by providing two simple and highly effective outlining models known as the Snowflake Method and Backwards Script Writing.

Novelist Randy Ingermanson is the creator of the Snowflake Method, constructing it with the belief that effective outlining looks much like a the structure of a snowflake snowflake; we start with a core idea and, from there, add details. Then we simultaneously take those details and expand them into further details allowing us to also always keep the parent ideas in mind and ensure continuity between cause and effect in our stories.

The process itself is broken into 10 easy to follow steps which follow closely to a traditional three act structure:

  1. Write a one-sentence summary of your novel.
  2. Expand the sentence into a full paragraph covering the setup, primary obstacles, and end.
  3. Write a one-page summary of your main characters which should include the character’s name, motivation, and a paragraph summary to their role in the story.
  4. Take each sentence in your novel summary paragraph and turn those into a paragraph each.
  5. Write a one-page synopsis of each major character and a half-page synopsis for each supporting character, preferably from their point of view.
  6. Expand each paragraph in the novel summary into a page.
  7. Fill in the details to your character profiles, from personal histories and family members to beliefs, flaws, and expected epiphanies.
  8. Take your book summary and make a list of scenes you will need, a line on what happens in them, and the POV character. Ingermanson recommends using a spreadsheet to do this step.
  9. As an optional step, return to your book outline and expand each scene into a paragraph. Most importantly, use this step to ask yourself if the scene is necessary and dramatic enough to justify its existence.
  10. Now write your book.

By step 10, we have everything we need to comfortably write with purpose. From then on, we need only go back and forth between our first draft and outline, scrapping out old ideas that we have decided will not work anymore, and adding new ideas when they arise.

Yoko Taro, a video game director known for his 2017 Nier: Automata, spoke at the 2014 Game Developers Conference on his process of Backwards Script Writing which diverges from the Snowflake Method in that instead of viewing the outlining tool as branching from a single, general idea, we instead focus on the end and the story’s emotional peak-the feelings and ideas the story is meant to invoke into your audience. Plot points provide the context for the emotional peak and are necessary in creating a reason for us to care for scenes which emotionally stir its audience. By starting with the emotional peak, we also need to ask ourselves whether a plot point contributes to that quintessential moment and, if not, should be discarded to save time for both ourselves and our readers.

Using Yoko’s example, if our emotional climax is that a girl dies and it is sad, then we need to ensure that our narrative also provide adequate reason for us to be sad when she dies. Perhaps it was her wedding day, she’s kind to everyone she meets, or the main character is in love with her. Additional emotional peaks may be added as well when needed, such as with the main character in love example since we would likely need to like our main character to empathize with him as well as sell the romance that they share.

Yoko’s Backwards Script Writing extends into worldbuilding. A lack of engagement from the audience in our worlds, whether they are fictional or not, is often due to meaningless details. Using our previous example of a girl dying and it being sad, an additional reason for us to care about the event is that the story takes place in a post-apocalyptic world in which the earth is dying and all people have long since discarded values of love and cooperation. The girl becomes a beacon of hope, treasured, giving us a reason to care. When we care about the characters, we tend to care about the world in which they exist. The Snowflake Method ensures that the writing development process remains unbroken. Backwards Script Writing makes every detail matter, enriching the storytelling.

These methods help writers migrate from amateurs to professionals as they use the combination of Snowflake and Backwards Script Writing methodologies. Begin with an outline, make the details matter, and find yourself writing better, more powerful stories.

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November 6: Speaker Tim Applegate

Monday, November 6, 2018, author Tim Applegate will be speak at our Monday morning workshop from 9AM-11AM at the Forest Grove Senior and Community Center in Forest Grove, Oregon. This is a free, regular workshop event and all are welcome to join us. Bring pen and paper and an open mind as usual.

Tim Applegate will be speaking about publishing submission acceptance and rejections. He is the author of the novel Fever Tree and three books of poetry. A commercial contractor specializing in furniture and wood restoration for the hotel and cruise ship industry, he retired in 2015 to dedicate the next part of his life to writing full-time. He is the co-winner of the Tillie Olsen award for Creative Writing, and his work has been published in the Florida Review, The South Dakota Review, Lake Effect, The Briar Cliff Review, and others. He currently lives in the foothills of the Coast Range in Oregon.

Get Ready Now: NaNoWriMo is Six Months Away

NaNoWriMo is in November, barely six months away. For some, that’s a long time. For others, it comes too soon. Either way, it’s time to start thinking about how you will spend your November churning out 50,000 words, or an hour a day, of writing.

We’ve featured many articles and tips for NaNoWriMo on this site over the past few years, so your first task should be to dive into that great content to warm up your creative juices.

Do you have a topic to write about, a plot for a novel, your memoir, a technical how-to book? Maybe you want to finish that book you’ve barely started, or rewrite one that went no where the first time. It is never too early to start planning what you will be writing.

There are three times of writers in NaNoWriMo. There are the plotters, those who plot and outline everything out before the event begins. The pantsers write by the seat of their pants, trusting their muse to find the words daily. The plotsters or plantsers are the ones who did a little of both, plot out a rough outline, have a sense of where they are going, then let the muse take them where their fingers and imagination goes.

We also recommend you take time to get Scrivener, the writing studio software, to hold your outline, notes, research, and to write in and keep track of your writing during the month-long event. New to Scrivener? Check out our tips on using Scrivener, especially during NaNoWriMo, and watch this site for an announcement soon on a 4-week workshop on Scrivener Basics at the Forest Grove Community and Senior Center in Forest Grove, Oregon, in September, just in time for NaNoWriMo.

Here are some more tips to help you get ready for NaNoWriMo, and for writing any time.

  • Make an appointment with yourself – and keep it. Protect your writing time. Your muse works best when you show up at the same time every day, or train it to work for spontaneous 10 or 15 minute segments through the day. Either way, set writing time on your schedule and don’t miss an appointment.
  • Write what you know. It is true that it is best to write about what you know, but lean into this even more. Use characters you know, inside and out, from your own life, compilations of a variety of people, or a specific person from your childhood or present. Put your characters in a place familiar to you, your childhood community, or where you lived for many years and know all the back streets. Give your characters jobs you’ve held. Play with the rest, but use what you know. There is something special about reading a book where you just know the author loves the characters and places where the events take place.
  • Trust yourself. Trust yourself to write a great story. Trust yourself to know what to write. Trust yourself to let your characters lead you. Trust that you know how to do this, because you do. You wouldn’t be doing this unless you knew you could. Trust yourself to do it.
  • The first draft of everything is shit. Hemingway is supposed to have said that often, and it is true. First drafts don’t sell. They aren’t published. The magic comes in the second, third, possibly even the twentieth draft. Just write. Get it all down and fix it later.
  • Writing is about storytelling. Never forget, you are telling a story. You are taking the reader on an adventure, a journey, teaching them about how your characters see the world around them, and how they behave within it. The best stories are written not with the best grammar, but the best storytelling techniques.
  • Journal and note your ideas now. As you make your way toward November, jot down the ideas that come to you in the oddest of moments. You never know where one might lead, or if you may need it later when the well starts to run dry. Some people take a while to let their imagination simmer, so be ready to catch whatever floats to the top and preserve it.
  • Show don’t tell. Pay attention to everything around you over the next few months. See a beautiful sunrise, or the sun bursting forth through storm clouds? Write down what it looked like, but focus on how you felt in the moment. Look at people around you. How are they walking? Talking? Sitting? Moving in and out of the crowd. Takes notes on what you see and how they moved emotionally, with determination, courage, faith, pain, misery, depression, joy…show us how they moved. The next few months have two seasons, possibly three, in them, and you have an opportunity to view people in cold, wet, and rain, and bright sunshine, possibly even extreme heat conditions. How are their bodies responding to the environment?
  • Listen. Over the next few months, listen deeply to the voices all around you. At the store, at work, at meetings, social events, listen and take notes. How do they speak? What are they saying? Would your characters say that? How would they say the same things? The best characters are like real people, so pay attention to all the ways real people talk, to themselves and to each other, and take notes.
  • Put conflict in every sentence, paragraph, page. There are seven types of conflict in storytelling and writing. There is man vs. self, man vs. man, man vs. society, man vs. nature, etc. These struggles, elements of conflict, are the core in any good story. We need heroes. We need anti-heroes. We need villains. We need to have our characters tortured by their circumstances. Think about all the ways you could bring your characters to their knees and test their spirits, and put that in your story plans.
  • Pay attention to the news. Right now, the United States, and the world, are in teetering on the edge. The edge shifts from day-to-day, or could be all of everything, global warming, politics, pollution, economy, fake news, malware attacks, prejudice, even war. How does it feel? How do others feel? How are they responding? Are they hoarding food or money, just in case? Protesting? Apathetic? Terrified? An ostrich, head in the sand, disconnected from the world around them? Take note of all these attitudes, behaviors, and responses to the world around you and them. It’s all good fodder for the characters in your book.
  • Look for stories, and stories within stories. A well-written book doesn’t have one plot. It often has several plots, sub-plots, stories within stories with the same or different characters. Maeve Binchy specialized in writing about characters, each with their own plot lines, weaving them in and out, until they merged together at the end, surprising the reader. Look at all the stories around you, little stories like the man who forgot his wallet and realized it at the grocery checkout, and breaks down in tears not because he forgot his money but because he wife died a week ago and this is the first time in 30 years he’s shopped for himself. Or big stories of a cheerleader a month from graduation at the top of her class, who finds out she has cancer, two weeks after her mother died of cancer, and her father dies of a heart attack two days later, and she has to go on. Every moment is a moment for story, and within every story is another story, maybe three or four.

Writers in the Grove features more writing tips and advice on writing for all your writing challenges as well as NaNoWriMo. Subscribe to our site by email or add us to your feed reader to keep us close as you tackle your next writing project.

If you are in the Portland, Oregon, area, please join us at our Monday morning workshops from 9-11:30 AM at the Forest Grove Community and Senior Center, and on the second Saturday of the month at the Forest Grove Library.

After NaNoWriMo 2016

Congrats on surviving NaNoWriMo 2016. Whether you reached your 50K goal or not, you are a winner because you give it your all. You wrote. You set up a system to deal with your internal editor, schedule writing time, and find a support system, such as this site, to keep you on track and going forward, no matter how war you got. You did it.

Now what?

Thanks to the fantastic and creative work of past NaNoWriMo participants, we have access to tons of answers to that question.

Fist, NaNoWriMo doesn’t end just because the month of November is over. There are many events in your areas and online. NaNoWroMi offers “The ‘Now What?’ Months to help you keep going and staying on track from January through to the next NaNoWriMo in November. They have extensive archives of tips and pep talks to keep you going as well.

There is an active NaNoWriMo forum called Life After NaNoWriMo to help others to keep going afterwards.

If you are ready to publish, you can share your published entry on the Published Wrimos list.

Beth Cato wrote a great article on “Beginning After NaNoWriMo” tp take you step-by-step through the process. Here are some other great tips and resources:

If these aren’t enough, here is a collection of Pinterest finds for life after NaNoWriMo.

The one piece of advice that all of these people have in common is to keep going. You’ve created something here. Good, bad, or ugly, it is a gem in the rough and it is time now to start to hone it, chipping away the junk rock to find the beauty within, and polish it to make it shine.

There is no bad writing. There is potential in what you wrote. Keep working on it.

Don’t stop writing.

If you arrived late to this series to support NaNoWriMo participants, check out our writing tips, NaNoWriMo prompts, and writing tips for NaNoWriMo on our Writers in the Grove site.

Novel Writing: Storyboarding and the W Plot Chart

Mary Carroll Moore is a popular published author offering educational information on writing and publishing your novel. The following video covers creating a storyboard for your novel using a 3-act structure, specifically the W Plot Chart, helping you find the 5 most important points in your novel.

The following are articles and resources covering more about the W Plot Chart and 3-act structure.

Writing Your Book: Worksheets and Templates for Writers by Jamie Gold

The amazing prolific writer and educator, Jami Gold offers a wide variety of Worksheets for Writers in Excel spreadsheets, documents, and Scrivener templates. We’ve mentioned this collection in our NaNoWriMo articles and tips. These are precious gems you need in your writing toolbox.

These forms are essential for developing and writing your book, be it fiction or memoir. These worksheets and charts will help you structure your story, develop characters and scenes, and gives you a checklist for all of the things you need to have to make your book a success.

Download these and save to a master toolbox folder for your writing on your computer. To use them, make copies and rename them to the project you are writing as well as the date. You will use many of these over and over again for everything you write.

NaNoWriMo: How to Write a Novel in 67 Steps

Part serious, part humor, “In Reality How People Write A Novel: 67 steps” by the The Authors’ Nook breaks down the novel process into quick and easy steps such as:

  1. Declare to your friends and family that you’re writing a book.
  2. Immediately regret telling them because now you feel pressure.
  3. Stare at a blank page.
  4. To freshen up, Google: “How to write a book.”
  5. Remember that it’s a massive undertaking.
  6. Friends ask you, “So, how’s your book coming? Remember me when you’re famous!” And you want to die.
  7. Start to plot the novel just to get your mind off the pressure.
  8. Writer’s block.
  9. Netflix binge.
  10. Write 15 pages.
  11. Rewrite the 15 pages.
  12. Delete 14 pages.
  13. Drink a little too much.
  14. Netflix binge.
  15. Structure your story.

Sound familiar?

It’s NaNoWriMo Time: How To, Tips, Techniques, and Survival Advice

NaNoWriMo Flyer.November 1, 2015, at midnight is the start of NaNoWriMo, the National Novel Writing Month.

The goal of NaNoWriMo is to write 50,000 words (and complete a novel) in 30 days.

Sound impossible? The numbers divide down to 1,666 words a day, typically 60-90 minutes of writing.

To participate, you may do so actively or passively. This can be a solo experience or a highly social one. You can connect online and/or connect in person through the many local activities, events, and write-ins where people gather in a social space to write and get to know each other.

Here is how it works.

  1. Before November 1, sign up on the NaNoWriMo site. There is no fee. It’s free. By registering, you will get email notifications and notes to cheer you on throughout the month, and be able to track your word count daily.
  2. At midnight, October 31, you start writing.
  3. Each day, you report the number of words you’ve written. If you are using Scrivener, it’s easy to update this information daily. I’ve included tips on how to track your writing below.
  4. If you wish, participate in the regional forums such as the one for Washington County, Oregon, and consider attending some of the many local events throughout the month. NOTE: There are also prep events online and locally worth attending.

That’s it.

NaNoWriMo typically features over 310,000 participants on six continents. Many educators work with their students to participate during November as well as throughout the year. (more…)